The 3 tracks follow a path of reverse deconstruction and unraveling, going back to the origins of this composition, and presenting earlier stages of creation as later tracks progressively. In this way the listener is not only able to hear details that might be hard to hear in the tutti version (track 1), but also the tracks become more introvert, while striving to keep their emotional impact. Gradually the clear and concrete music of We will never forgive you merges into the slightly more abstract The song without words, which is in fact a minus-two version, to be followed by the even more abstract Planet of the Ants, connecting to the sound universe of van Dillen’s earlier Dronescapes. The title of the last track explicitly refers to Dronescape 5 – Myrmecology, this time as a planet of the ants, which may be the very thing we are currently creating and heading towards. As mammals succeeded the dinosaurs, now ants may have a good chance to succeed the mammals, once extinct. If that happens, may they thrive and develop collective intelligence instead!

One can imagine that at the reality of a larger than primal atom, the road is open for more complex atoms, and so it was: in the heavier stars, thermonuclear fission processes produced heavier elements still. In fact, there is not a single heavier atom that was not created at some point in time in some star. All matter is stardust. All heavier atoms are the product of nuclear fission in stars.

We ourselves are the children of stars become aware.

It is with Helium that this process of atom creation takes its very first step: forming an atom with 2 protons, over twice as heavy as the primal atom Hydrogen. It is a strange coincidence that so many human cultures worshipped the sun as a creator god: the sun being our star is de facto one of the many creators of matter, in its shining we see the life-giving light: a waste product of this process.

Now imagine ourselves the size of a planet, listening to the sounds of this process of matter creation. We are become huge cosmic ears now, listening to the sounds of the sun.

Although perhaps 5 formal parts plus an introduction can be discerned, the work is here presented as a single track, in the spirit of the sister productions in the Dronescape 6.* series. A single almost 54 minutes long track does require some patience contemporary listeners are mostly unaccustomed to, being used to either the standard 3 minutes long popular songs, the standard 3-7 minutes long jazz recordings, or the standard 12 to 20 minutes long composed works, with which the musical mediascape of today is flooded. In this sense, the listener is offered an opportunity to enter another timescape. A dreamscape. A dronescape, where one can make sense or nonsense at will and decide what threads and paths of sound and music to follow with undivided attention.

Oneirology 2 In Peter Brook’s 1979 film Meetings with Remarkable Men there is a scene in which musicians will attempt to produce a sound that will make the stones of a valley vibrate. In this re-enacting of a famous scene from Gurdieff’s memoires, Kudsi Erguner is one of the …
read the full text…

Dronescape 5 is the fifth in a series of albums, containing new, digitally created, compositions by Oscar van Dillen. The work on this album was composed November-December 2020. Similar to the other Dronescape releases, this album too can be considered to be an Electronic symphony, the 5th by Oscar …
read the full text…

Dronescape 4 is the fourth in a series of albums, containing new, digitally created, compositions by Oscar van Dillen. The works on this album were composed October 2020.

Dronescape 2 is the second in a series of albums, containing new, digitally created, compositions by Oscar van Dillen. The works on this album were composed July-August 2020. In music, a drone (or bourdon) is understood to be a continuous sound, interval or chord, usually an accompaniment to a …
read the full text…

de Stad, originally released in a more surround sound type of mix, the time is ripe to now release a remastered version, much better suited for our present times and today’s streaming platforms used for listening. The composer himself has meticulously revised the original recordings, corrected and remastered these …
read the full text…