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Seventh chord

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Relationships of the seventh chords with their constituent triads and intervals

Contents

Definition of seventh chord

A seventh chord is a special type of chord which consists of 4 different tones, in consecutive thirds.

The seventh chord thus consists of a minimum of six intervals: 3 thirds, 2 fifths and 1 seventh, or their respective inversions.

A seventh chord can be regarded as en expanded triad; each seventh chord itself consists of 2 triads.

Basic notation

The basic notation of a seventh chord, is by virtually taking tones 1, 3, 5 and 7 of a scale and writing them together, sounding as one.

The example below uses the basic tones only and can be clicked for playback.



\version "2.12.2"
</p>
<pre>\relative c' {
</pre>
<p><<
</p>
<pre> \new Staff \with { \remove "Time_signature_engraver" } {
   \time 3/4
 \clef treble   { \override Staff.Stem #'transparent = ##t 

 s8^"basic seventh chords" < c e g b >2 s8
 \bar "|"
 s8 < d f a c >2 s8
 \bar "|"
 s8 < e g b d >2 s8
 \bar "|"
 s8 < f a c e >2 s8
 \bar "|"
 s8 < g b d f >2 s8
 \bar "|"
 s8 < a c e g >2 s8
 \bar "|"
 s8 < b d f a >2 s8
 \bar "|"
 }
}
</pre>
<p>>>
}


Types of seventh chords

Consisting of 3 thirds, 2 fifths and 1 seventh, the thirds can be major, minor or diminished, fifths can be perfect, diminished or augmented, the sevenths can be major, minor or diminished, there are 10 types of seventh chords.

These seventh chords can occur on any tone, the examples below are the 10 seventh chords of c (alterations are needed to obtain the correct tones):



\version "2.12.2"
</p>
<pre>\relative c' {
</pre>
<p><<
</p>
<pre> \new Staff \with { \remove "Time_signature_engraver" } {
   \time 3/4
 \clef treble   { \override Staff.Stem #'transparent = ##t 

 s8^"10 seventh chord types" < c e g b >2 s8
 \bar "|"
 s8 < c e g bes >2 s8
 \bar "|"
 s8 < c es g b >2 s8
 \bar "|"
 s8 < c es g bes >2 s8
 \bar "|"
 s8 < c es ges bes >2 s8
 \bar "|"
 s8 < c es ges beses >2 s8
 \bar "|"
 s8 < c e gis b >2 s8
 \bar "|"
 s8 < c e gis bes >2 s8
 \bar "|"
 s8 < c e ges bes >2 s8
 \bar "|"
 s8 < c eses ges beses >2 s16 \grace {< c d fis a >}
 \bar "|"
</pre>
<pre> }
}
</pre>
<p>\addlyrics { "maj7" "7" "minmaj7" "m7" "m7♭5" "dim7" "maj7#5" "7#5" "7♭5" "DblDim7" }
>>
}

Symbols for seventh chords

For most music in which improvising plays an important role, symbols are used for seventh chords.

There is no unity in the systems used for these symbols, as different symbols occur in different books.

Below is a table summarizing the most commonly used chord-symbols for seventh chords:

Seventh chord Symbols
Major seventh maj7 M7 Δ7
Dominant seventh Dom7 7
Minor major seventh minmaj7 mM7 -Δ7
Minor seventh min7 m7 -7
Half diminished min7♭5 m7♭5 ø
Diminished seventh dim7 d7 °7
Augmented seventh maj7#5 M7#5 Δ7+5
Augmented dominant 7#5 7+5 +7
Flat 5 dominant 7♭5 7-5
Double diminished seventh (no symbol)



Inversions of seventh chords

A seventh chord is still considered to be the same seventh chord when the 4 tones it consists of are presented in another position than the basic 1-3-5-7 described so far. There are four basic positions for a seventh chord:

  1. The 1 is the lowest tone, this is called root position, short: root
  2. The 3 is the lowest tone, this is called first inversion or six-five position, short: 6-5
  3. The 5 is the lowest tone, this is called second inversion or four-three position, short: 4-3
  4. The 7 is the lowest tone. this is called third inversion or second position, short: 2

The acoustic properties are different, yet these positions can be perceived as derived from one basic structure: the seventh chord.

The examples below are basic positions of seventh chords of c and on c:



\version "2.12.2"
</p>
<pre>\relative c' {
</pre>
<p><<
</p>
<pre> \new Staff \with { \remove "Time_signature_engraver" } {
   \time 8/2
 \clef treble   { \override Staff.Stem #'transparent = ##t 
</pre>
<pre> < c e g b >2^"Positions of c seventh chords" s < e g b c > s < g b c e > s < b c e g > s
 \bar "|"
 < c, e g b >2^"Seventh chord positions on c" s < c e g a > s < c e f a > s < c d f a > s
 \bar "|"
 }
}
</pre>
<p>\addlyrics { "root" "6-5" "4-3" "2" "root" "6-5" "4-3" "2" }
>>
}


The names of the inversions are derived from the intervallic structure: the inversions of the thirds become sixths (major, minor or augmented), the inversions of the fifths become fourths (perfect, augmented or diminished) and the inversions of the sevenths become seconds (major, minor or augmented).

Full table of all seventh chords in all inversions on c



Use of seventh chords

Any scale or mode can be harmonized by forming seventh chords on its steps. These seventh chords are then called degrees.

The harmony thus obtained is proper to that particular scale itself and can be modal or tonal, depending on its use.

See also

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